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Something In The Air (15)

Olivier Assayas's film on the aftermath of May 1968 is infantile ultra-leftism

Jingoism and war-worship must be overcome

JOE GLENTON explains his need to respond to a world that is unsustainably divided

La Boheme

ENO's production of La Boheme is a triumph,

Nia Davies - The Gun Public House, Docklands

Thursday 13 September 2012

Such galvanising in those ceiling-hung cups —
decor to smooth over tough love
struck between suspenders, mutilated beams,

scorched smears, the ends and offcuts of bakes,
barrels left out in the mud. How does the swerve feel
now at the secret staircase’s upper reaches?

The lower are Thames: thick surfaces, chambers
more collection than room, more cutlass than scuttling,
but no mere flash in a mirror’s fish pan.

In the middle of a disembodied wharf, history
is handcart driven, all the better for its bowels,
previous sorrows and suspect tales.

Across the way, the ever-advertising dome,
that project/folly: land kneed perfectly
in the ribsides to make folk live up

to nothing, from something. But in here
they rebreathe fire and stoke the
kitchen’s capsized engine. Let it burn.

Nia Davies grew up in Sheffield and studied at the University of Sussex. She writes poetry and novels. Her poems have appeared in Poetry Wales, the Salt Book of Younger Poets and Birdbook 1 (from Sidekick books). Her pamphlet of poems Then Spree will be published by Salt in autumn 2012. She works for Literature Across Frontiers.

Well Versed is edited by Jody Porter
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