Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Veteran director Ken Loach carried off the Palme D’Or top award for I Daniel Blake at this year's Cannes Film Festival. He previously won the prize in 2006 for The Wind that Shakes the Barley.
I, Daniel Blake tells the story of two ordinary people who are pushed to breaking point by circumstances beyond their control as they struggle to survive in a callous, bureaucratic welfare system seemingly designed to beat them to their knees.
Loach achieves an extraordinary balance of emotion and fact, telling the story with an urgent simplicity that is both powerful and moving.
RITA DI SANTO talks to Scottish-Irish filmmaker MARK COUSINS about his new panorama of world cinema The Story of Documentary Film
In the second part of LAYTH YOUSIF’S history of the New York Cosmos, he reflects on their stunning reboot
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse


