DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
End Times
Quincy R. Lehr
You never asked to walk upon the water,
never claimed it, never went to church,
while those with messianic claims made do
with family yachts, the way it's always done.
No one slouched to Bethlehem. No beast
was born. It was concocted in a lab
and molded into shape by focus groups
who like their evil slightly more dressed-down.
From prototype to archetype, the myth
went through its iterations. First a chant,
it turned into a liturgy, then changed
into a biker rally aimed at teens.
No Armageddon—quite; more a collage
of video footage spread across the globe,
interspersed with ads, responsible
demands for extra troops to "get things done."
When we noticed, it was like a tax
due a few months off; unopened bills;
a forecast of a heat wave; promises
of moderation from the offices
that thought up this—either euphemistic
or to the tune of Baby Boomer rock,
with claims of greatness, demands for increments,
even though we haven't got much time.
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
by Rosie Jackson
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
RUTH AYLETT reviews two collections of outright political poetry


