Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Among the eye-catching world premieres at this year's New York film festival was the opening night screening Captain Phillips from British filmmaker Paul Greengrass, based on the true story of the captain of a cargo ship taken hostage by Somali pirates.
Suspensful and satisfyingly complex, it's an an exceptional action thriller which takes a look at the politics of power and the fate of “the wretched of the earth.”
A Touch Of Sin is a harrowing, multi-layered drama about life, death and the wages of capitalism in China from director Jia Zhangke and Omar, the latest from Palestinian director Hany Abu-Assad, is a tense thriller about the daily challenges of love, friendship and ideology in the occupied territories. Other premieres of note included Claude Lanzmann’s The Last Of The Unjust about the fate of the Jewish inhabitants of the Theresienstadt ghetto in Czechoslovakia during WWII and Frederick Wiseman’s At Berkeley an engrossing though lengthy inquiry into the troubled US academic institution.
RITA DI SANTO talks to Scottish-Irish filmmaker MARK COUSINS about his new panorama of world cinema The Story of Documentary Film
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity


