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Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Fangs for a full-blooded gothic dance of death
Susan Darlington reviews Dracula at the West Yorkshire Playhouse, Leeds
ANGUS REID considers the power of the podcast as a vehicle for consensus building in opposition to mainstream media narratives
GLENN FOSBRAEY recommends a biography worth reading for both existing George Michael fans and those yet to be converted
FRANCIS DEVINE introduces a new collection of essays that draws on Pease McKenna’s example to indicate future paths for the movement
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
JAMES WALSH recommends an exceptional documentary about the experience of Western doctors in Gaza
4/5
If you think you’ve had a tough day at the office, spare a thought for Jonathan Harker.
The lawyer is first locked in a room in Count Dracula’s castle. He then spots the count scaling head first down the side of the Tim Burton-inspired building and then, to cap it all, he’s seduced by three brides who could have stepped straight out of a Sisters of Mercy video.
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MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today