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Theatre Review: Herons
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Lyric Theatre Hammersmith
London W6
THIS brilliant revival of Simon Stephens’s play, first produced at the Royal Court in 2001, places us firmly in the terrifying, brutal world of a group of teenagers.
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MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY