Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Jeremy Deller's latest art exhibition is not an art exhibition. If that sounds confusing, it is because his new installation English Magic is a collaborative venture produced by people from many different walks of life, among them prisoners and steel band players, craftsmen and video technicians, painters and archaeologists.
All contribute to the finished product while Deller waves his magic wand and makes it happen. It is the opposite of the conventional art show when one man - it usually is a man - signs off his work with a flourish.
"Most artists have help," Deller tells me. "It's not a new thing. I just talk about it more. I have no technical talent from what I can work out, so I need help."
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist


