DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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‘To me, music has always been about melody’
CHRIS SEARLE speaks to clarinettist Arun Ghosh, on the release of his album Seclused In Light
Arun Ghosh
[https://www.facebook.com/arunghoshmusic]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
HEARING the Bolton-bred clarinettist Arun Ghosh and his quintet, live again at the Vortex in Dalston, with the communal sounds directly outside the venue of Gillett Square’s talkers, declaimers, drinkers, skateboarders, eaters and dominoes virtuosi accompanying every note they created, was a wonderfully restorative musical post-pandemic experience.
They were playing tunes from their new album Seclused in Light. The beautiful melodism of Surrender to the Sea and Sister Green and the rampaging Sidney Bechet-like verve and rhythmic upsurge of cityscape sounds like Fiveways and Hanji!, fused in a surge of now-times sonic vision which made the heart and brain of Dalston shudder with joy.
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