ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
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‘So familiar and yet so unfathomable’
If 17th-century Dutch art is your thing this must be your book, believes MICHAL BONCZA
ENIGMATIC: Carel Fabritius’ View of Delft, with a Musical Instrument Seller’s Stall
[Kotomi_/CC]
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
LEO BOIX reviews two powerful Latin American novels in which myth and crime fiction expose the deadly consequences of patriarchy, clandestine abortion and state violence
New releases from Laura Veirs, The Waterboys, and Yard Act
Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Thunderclap: A memoir of Art and Life and Sudden Death
by Laura Cummings
Chatto and Windus £12.99
THE thunderclap of the title was a gunpowder explosion on October 12 1654, which devastated the city of Delft killing over a hundred and leaving thousands injured. Among the dead was Carel Fabritius, Rembrandt van Rijn’s most promising apprentice.
Fabritius holds a special fascination for Laura Cummings as does his View of Delft, with a Musical Instrument Seller’s Stall, painted two years before his death (at the National Gallery, London): “for pictures can shore you up, remind you of who you are and what you stand for.”
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