Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
An American dream of balletic brilliance
[Laurent Liotardo]
ANGUS REID considers the power of the podcast as a vehicle for consensus building in opposition to mainstream media narratives
GLENN FOSBRAEY recommends a biography worth reading for both existing George Michael fans and those yet to be converted
FRANCIS DEVINE introduces a new collection of essays that draws on Pease McKenna’s example to indicate future paths for the movement
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
JAMES WALSH recommends an exceptional documentary about the experience of Western doctors in Gaza
Voices of America
Sadler's Wells, London
ENGLISH National Ballet's Voices of America showcases some of the most exciting past and present work in neoclassical ballet from across the Atlantic by three outstanding choreographers.
Fantastic Beings by Canadian-born Aszure Barton is an imaginative, funny and sumptuous refection on the boundary between the animal and the human, while Approximate Sonata 2016 by that titan of neoclassical ballet William Forsythe breaks down ballet vocabulary in a piece that exemplifies his unique style.
A deconstruction of the pas de deux between a man and a woman — a central pillar of all ballet works — it has Alina Cojocaru shining brightly in a work full of wit, elegance and an underbeat that makes the heart race apace.
Similar stories
JOHN WIGHT pays tribute to the day in history when Randolph Turpin dealt the world of boxing an almighty blow
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
JAN WOLF enjoys a British revival of the 1972 come of age farce/panto Pippin
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed