STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
POETRY in Performance: John Cooper Clarke/Mike Garry. I’ve been hooked on Cooper Clarke’s acerbic, melodic and riotously funny poetry since my teens, when he battled a hostile and baffled audience as the support act for Be Bop Deluxe.
Forty-three years later, his performance was as brilliantly shambolic as ever, peppered with jokes blending compassion and comic cruelty with the same energy and panache as his poems.
His obsessions are pop culture, urban decay and the absurdities of the human condition; his influences are rap, the American beats and the wordplay of Roger McGough.
New releases from Old Spot, Chris Marksberry, and Clementine Lovell
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity
New releases from The Dreaming Spires, Bruce Springsteen, and Chet Baker


