ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
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Album reviews with MICHAL BONCZA
New releases from Sam Eastmond, Angharad Jenkins and Patrick Rimes, Gabriel Moreno
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
LEO BOIX reviews two powerful Latin American novels in which myth and crime fiction expose the deadly consequences of patriarchy, clandestine abortion and state violence
New releases from Laura Veirs, The Waterboys, and Yard Act
Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Sam Eastmond
The Bagatelles Vol 16
(Tzadik Records)
★★★★★
NEW YORKER John Zorn is an avant-garde musician singularly unconcerned by and working outside the “mainstream,” and yet simultaneously having a profound influence on it.
His Book of (300) Bagatelles (a term used since 1827 for pieces of light music) comprises three-minute-burst micro-collages that are as unexpected as they are fascinating.
Sam Eastmond, a London-based Jewish musical polymath, brings an innate feel for and astonishing invention to his interpretation of Zorn’s soundscapes.
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