DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
THIS year’s Antalya Golden Orange Film Festival — the 56th — entered a new chapter following a two-year tug of war between Antalya’s former mayor Menderes Turel, a member of President Recep Tayyip Erdogan’s Justice and Development Party (AKP), and the country’s independent film-making community over its direction.
As the city council bankrolls the festival, Turel had been able to control the national competition but that ended last March when he lost his seat to centre-left candidate Muhittin Bocek in local elections, which saw the AKP lose control.
This meant that this year’s festival heralded the return of the national feature film competition, as well as documentaries and shorts.
RITA DI SANTO talks to Scottish-Irish filmmaker MARK COUSINS about his new panorama of world cinema The Story of Documentary Film
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity


