DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Capturing the ruptures of our time
IAN SINCLAIR recommends Jim Ghedi’s interpretation of Harry Cox’s What Will Become Of England
Jim Ghedi
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
FROM Bob Dylan’s Blowin’ In The Wind to Billy Bragg’s 1985 rendition of Florence Reece’s Which Side Are You On? and more recently Ill Manors, Plan B’s reaction to the 2011 riots, every so often a musical artist perfectly captures the socio-political ruptures of their time.
What Will Become Of England, the new single from Jim Ghedi, feels like one such song.
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