DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Crooked Dances, The Other Place Stratford-upon-Avon
Engagingly old-fashioned ghost story dressed up in modern clothes
Recluse: Ruth Lass as Silvia de Zigaro
[Ellie Kurtz]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
ALL the conventional elements of the bog-standard chiller are present in Robin French’s Crooked Dances, with its pair of innocents caught up in a mysterious and sinister situation, climaxing in a dark and rainy night marooned in a lonely house surrounded by a wolf-inhabited forest.
The innocents are with-it media folk Katy (Jeany Spark) and Nick (Olly Mott), sent by a trendy weekend magazine to interview and photograph reclusive world-famous classical pianist Silvia de Zigaro (Ruth Lass), who’s supposedly preparing for her final concert appearance.
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