Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
The Patient Gloria
Theatre Royal
IN 1965 California, Gloria Szymanski goes through sessions with three psychotherapists. Organised and directed by the psychotherapist Dr Everett Shostrum, the sessions are filmed for the purpose of being shown to psychology students, but soon after they wound up on television and cinemas, betraying Gloria’s privacy.
Taking The Gloria Films as a starting point, The Patient Gloria mixes re-enactment, actual footage and the playwright’s own lived experience. The casual exploitation of Gloria’s private life is the starting point for a funny and poignant exploration of how men dominate, control and demean women’s experience of their own sexuality. It’s both laugh-out-loud funny, and deeply touching.
Gina Moxley plays the three psychologists who interview Gloria. They are smug and self-centred and take pleasure in shaming their patient. She comes in and out of character, switching in between physical comedy, sharp-witted commentary and deeply moving reflections on female desire.
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


