DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Engaging tribute to master of provocative film-making
ANDY HEDGECOCK recommends a new take on the great Spanish film-maker Luis Bunuel
DEFTLY SKETCHED: Bunuel in the Labyrinth of the Turtles
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
Bunuel in the Labyrinth of the Turtles
by Fermin Solis
(SelfMadeHero, £14.99)
LUIS BUNUEL made his first film just before the 1929 Wall Street Crash and retired from the director’s chair soon after the advent of the home computer.
His half century of creative provocation began with the grotesque surrealism of Un Chien Andalou (1929), an avant-garde classic of the silent era, and closed with a series of late flourishes: The Discreet Charm of the Bourgeoisie (1972), The Phantom of Liberty (1974) and That Obscure Object of Desire (1977).
These are cinematic masterpieces – humorous, poetic and more overtly political than his early work.
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