ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
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Thunderously intense and utterly transfixing
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
LEO BOIX reviews two powerful Latin American novels in which myth and crime fiction expose the deadly consequences of patriarchy, clandestine abortion and state violence
New releases from Laura Veirs, The Waterboys, and Yard Act
Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
WOMAD 2019
Charlton Park
IF WE are going to be gratuitously hermetic about it — and surely that is a writer’s job, after all! — we could say, emotionally speaking, there are essentially two types of music.
The music I have always been drawn towards is searching, questioning, slightly unsettling, disturbing even — but always reaching for transcendence.
This is the heart of modern music, perhaps best encapsulated by John Coltrane’s later period, or by all manner of electronic urban dance forms.
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CHRIS SEARLE recommends a work of love and deep admiration for a great musician
New releases by Porridge Radio, The Cribs, and Bjorn Meyer
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
GEORGE FOGARTY is captivated by a brilliant one-man show depicting life in HMP Strangeways