MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
Blues For An Alabama Sky
Lyttleton, National Theatre
IN JUNE of this year, the 1972 landmark case of Roe v Wade which gave women the right to abortion in the US, was overturned in a shocking attack on women’s rights.
Women’s fight for control over their fertility lies at the heart at Pearl Cleage’s 1995 drama which is given a timely revival in Lynette Linton’s dazzling new production.
Queer seamster Guy (Giles Terera) shares his apartment with songstress Angel (Samira Wiley) in Harlem as the great depression is talking hold. Their intimate bond owes much to their differing natures, with the diamond-hearted and hopeful Guy providing a lively sounding board for Angel’s raging vulnerabilities.
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
GEOFF BOTTOMS recommends an inspiring, political and bittersweet account of the munitions factory workers who are the fore-runners of the modern women’s game
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin


