DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Gazelle Twin + NYX, Queen Elizabeth Hall London
Uncompromising electronica subverts a passion for the pastoral
‘Deranged jockey’: Gazelle Twin
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
BRIGHTON-BORN Elizabeth Bernholz, aka Gazelle Twin, is an electronic musician-cum-performance artist inspired by the power of disguise.
On her latest and arguably greatest record, Pastoral, she rides a hobby horse and, sporting a white cap and playing a recorder, is kitted out like a deranged jockey in red, with a balaclava covering her face, long socks and Adidas trainers — Gazelles of course.
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