DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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The gen from Cannes
Star critic RITA DI SANTO recommends two outstanding depictions of working-class lives in England and Finland as the pick of the bunch
Ken Loach's The Old Oak (left) and Aki Kaurismaki’s Fallen Leaves (right) are the outstanding films of the festival
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STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
THIS year’s Cannes Film Festival jury awarded the Palme d’Or unanimously to Anatomy of a Fall by French director Justine Triet.
It is a poignant and absorbing drama about the wife of a frustrated writer charged with his murder after his death in suspicious circumstances.
While their 11-year-old son tries to make sense of what happened, it is the woman’s way of life that appears to be under examination, more than the question of guilt.
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