Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
GIVEN the success of Ghost Stories since it first appeared at the Liverpool Playhouse in 2010, it’s surprising that there are so few similar productions haunting the stage these days.
Theatreland, itself ridden with spooky backstage lore, is an ideal environment for the portrayal of creepy goings-on and, on the evidence of this production, ghostly tales also attract that much sought-after younger audience.
The Lyric interior, despite its modern exterior and appearance, is an old venue that has enough of a past to make it a more than worthy host to such a show and there’s no lack of tension throughout, even before proceedings begin.
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
PETER MASON welcomes collected writings from Britain’s first black female publisher that focus on the place of black writers in literature
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
MIKE COWLEY welcomes half a century of remarkable work, that begins before the Greens and invites a connection to — and not a division from — nature


