DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Hot mess
MARIA DUARTE endures three hours of overblown Hollywood narcissism and, strangely, recommends it
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
Babylon (18)
Directed by Damien Chazelle
LIVING UP to its name, Academy Award winning director Damien Chazelle’s Babylon is an epic depiction of the debauchery, greed and narcissism of Hollywood in the 1920s.
Chazelle explores the dark underbelly of Tinseltown in an ambitious extravaganza that, with a running time of more than three hours, is an assault on the senses, bursting onto the big screen like an unstoppable juggernaut. You can neither catch your breath nor take everything in as Chazelle throws everything into the mix including an elephant, a chicken and a snake.
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