DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
IT IS easy to see why Isokon, otherwise known as the Lawn Road flats, in north London is an enduring modernist architectural icon.
Recently renovated to its original splendour, its immaculate proportions are an adventurous balance between the predominantly horizontal structure of counter-levered galleries and ingeniously angled stairs.
The vertical end block housing three double studios and the staircase to a single penthouse — lifts were too expensive when it was built — provide an elegant contrast.
Commissioned originally by furniture designers and would-be developers Molly and Jack Pritchard, it was launched to great fanfare in July 1934, with Ms Pritchard proudly trumpeting it as “a revolutionary idea for living.” Indeed it was, but strictly for professionals because rents were £150-£170, beyond the reach of most.
MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
ALEX GORDON applauds the leading role played by Harry Pollitt and the Communist Party in the fight against fascism in Spain and salutes the memory of the International Brigades
ANDY HEDGECOCK and MARIA DUARTE review The Ceremony, Eddington, The Life of Chuck, and The Thursday Murder Club
Paul MacGee of Manifesto Press invites you to a special launch on Saturday August 2.


