Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Lava, Bush Theatre London
Impassioned exposé of pain and anger wreaked by racism and prejudice
MAGNIFICENT: Ronke Adekoluejo
[Helen Murray]
ANGUS REID considers the power of the podcast as a vehicle for consensus building in opposition to mainstream media narratives
GLENN FOSBRAEY recommends a biography worth reading for both existing George Michael fans and those yet to be converted
FRANCIS DEVINE introduces a new collection of essays that draws on Pease McKenna’s example to indicate future paths for the movement
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
JAMES WALSH recommends an exceptional documentary about the experience of Western doctors in Gaza
MORE of a poetic discourse than a play, Ronke Adekoluejo’s monologue, written by Benedict Lombe, follows a young woman’s often happy but sometimes fraught journey from her birthplace in the Congo to South Africa, Ireland and then England.
Lava begins as an entertaining tale with a generous helping of humour. Yet its end is visceral in its challenging conclusions.
The first half is loosely framed around Adekoluejo’s quest to gain a British passport. But when that theme draws to a somewhat tame, if amusing, conclusion the way is paved for a more intense and deliberately disjointed second half.
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