Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
SELVA ALMADA’S debut novel The Wind That Lays Waste (Charco Press, £9.99) is set in the north-eastern region of Argentina, a place of lush rainforests, lowland plains and forested valleys.
It’s a rich and varied region, where the weather reigns supreme — from wet and humid summers and warm winters to extended periods of drought and abundant rain.
That natural environment is the setting for Almada’s book, which begins as Reverend Pearson and his daughter Leni stop at a workshop owned by old mechanic Gringo Bauer and his young son Tapioca after their car breaks down.
ALAN MORRISON welcomes a new collection from the most imaginative and committed ecopoet of our time
From post-human revolution in Puerto Rico to trans poetics and queer mythmaking, these three books that imagine new ways of being together
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin


