The Meaning of Zong
Bristol Old Vic

ANOTHER long awaited production rewards both Bristol’s commitment to the project and Giles Terera’s determination to tell this vital story that looks to the past to illuminate the present.

Although the barbaric details of the intentional drowning of 132 slaves in 1781 for the sake of an insurance claim has been the subject of various films and books, its savagery is often viewed in historical isolation or as an example of the worst horrors of the slave trade. Terara’s debut play has tried to show its relevance today, especially for black identities.

The connections across time are highlighted by the largely modern idiom used to explore the historical material and the contemporary bookshop setting that frames the action as well as some interactions having direct current parallels.

Terera plays Olaudah Equiano the former slave who publicised the massacre in an influential book. His attempt to expose the event through the infamous court case with the help of anti-slaver Granville Sharp becomes a painful journey of self-discovery.

The production is constructed like a patchwork with intense West African elements woven into the design. Traditional African instruments played by Sidiki Dembele accompany much of the action while flamboyant ceremonial costumes hark back to a rich heritage and African chants and dances highlight the slaves’ expressive culture and indomitable spirit.

With an imaginative floating set of timbers from the slave ship, Jean Chan’s versatile design emerges from the darkness as a symbol of what has isolated so many black generations from the roots of their identity.

From universally recognisable, everyday moments to spectacular stage transformations, the production constantly shifts its focus and style. At times it is uneven, but as a whole this ensemble performance is original and dynamic, celebrating survival rather than agonising over loss. 

Jointly directed by Terera and Tom Morris, the committed cast draw in the audience from the outset, acknowledging their presence and involving them in the courtroom battle as a key element of the experience. This is a fundamental journey that Terera wants us all to take and it is far more profound than just knowing about the details.

Runs until May 7 then on tour, box office: bristololdvic.org.uk