Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
LIVERPOOL is blessed with iconic architecture and public spaces and as part of the city’s Biennial — the largest festival of contemporary visual art in Britain — a new series of outdoor sculptures and installations are on show.
Presiding over them are the flags of Larry Achiampong’s Pan African For the Relic Travellers’ Alliance, to be found across 10 locations in the city centre and on the waterfront.
A number of flags, with some featuring 54 stars that represent the 54 countries of Africa, evoke solidarity and collective empathy, while some of their locations speak to Liverpool’s connection with the enslavement of West Africans as part of the transatlantic slave trade.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
As the Alliance of Sahel States and southern African nations advance pan-African goals, the African Union must listen and learn rather than parroting the Western line on these positive developments, writes ROGER McKENZIE
Millions of ordinary English people of all backgrounds consider the cross their own — abandoning it, and its left-wing history that includes the peasants’ revolt, concedes vital ground to the right, argues SIMON BRIGNELL


