MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
Middle
National Theatre/Dorfman
“I DON’T love you anymore”. Five words that no-one wants to hear, right at the heart of David Eldridge’s third play for the National Theatre.
As the Sunday morning sun rises in Romford, Maggie (Claire Rushbrook) begins delivering honesty bombshells to lovable “liability” Gary (Daniel Ryan) like there’s no tomorrow. After 16 years together, it seems that there’s no future for them and she reveals that she’s been meeting with Detective Inspector John at cafes and galleries for the past three months.
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
DAVID NICHOLSON is thrilled – and shocked – by an opera that seethes and sizzles with passion and the depraved use of power


