DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Quentin Blake – doyen of children’s book illustrators
(L to R) Mr Magnolia by Quentin Blake and The Owl and the Pussycat by Edward Lear
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
Quentin Blake: Illustrating Verse
Kirkby Gallery / House of Illustration
QUENTIN BLAKE is one of Britain’s best-loved illustrators of children’s books. His whimsical style, anarchist characters and their crazy antics have enraptured generations of children.
That said, my own daughter told me that as a child she found his illustrations “too messy, slapdash, the scribbly-looseness of it all turned me off, and all his characters seemed to have big noses, which I didn’t like.”
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