DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
DANCE BASE is a purpose-built facility that runs year-round. Home to a vibrant array of activity, and formerly hosting a great crush of Edinburgh Festival Fringe events, the venue now vaults a chasm of post-Covid uncertainty with the specifics of its 2023 programme, as co-curated (for the first time) with the Assembly franchise.
We are in something of an edit.
I took a look at a sequence of four works, taking the form of duets and solos, in the single available performing space, other vast studios on the premises are tabled-up and serving as industry hubs.
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston
Given the tawdry push and pull around disability benefits, MATTHEW HAWKINS relishes Dan Daw’s defiant celebration of body and sexuality


