GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
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Culture: A Christmas Carol tuned in to today
Lurking beneath the festive jollity, the RSC's version of the Dickens classic is a salutary reminder of grim present realities, says GORDON PARSONS
DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
A Christmas Carol
The Royal Shakespeare Theatre, Stratford-upon-Avon
WITH the latest estimation that over 3.5 million children in Britain are living in poverty, Charles Dickens’s famous Christmas ghost story is a telling choice for the RSC’s seasonal show.
David Edgar’s sharply tweaked adaptation doesn’t need to labour contemporary parallels.
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