DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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A Fascist with a moral compass - who knew?
The Star's critic MARIA DUARTE is moved by a real-life story of rescue at sea that upturns easy assumptions about political motivations in times of war
DO THE RIGHT THING: Pierfrancesco Favino as the remarkable Salvatore Todaro
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STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
The Commander (15)
Directed by Edoardo De Angelis
ON the night of October 16 1940, during its first Atlantic patrol off the island of Madeira, the Italian submarine Cappellini sighted the Belgian steamer Kabalo carrying aircraft spare parts, and after unsuccessfully firing three torpedoes, sank her with its deck gun.
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MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
Despite an over-sentimental narrative, MICHAL BONCZA applauds an ambitious drama about the Chinese rescue of British POWs in WWII