Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
How it felt to be free
CHRISTINE LINDEY guides us through the vivid expressionism of a significant but apolitical group of pre WWI artists in Germany
Gabriele Münter, Portrait of Marianne von Werefkin, 1909; Listening (Portrait of Jawlensky), 1909
[Lenbachhaus Munich © DACS 2024;]
ANGUS REID considers the power of the podcast as a vehicle for consensus building in opposition to mainstream media narratives
GLENN FOSBRAEY recommends a biography worth reading for both existing George Michael fans and those yet to be converted
FRANCIS DEVINE introduces a new collection of essays that draws on Pease McKenna’s example to indicate future paths for the movement
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
JAMES WALSH recommends an exceptional documentary about the experience of Western doctors in Gaza
Expressionists: Kandinsky, Munter and the Blue Rider
Tate Gallery, London
In 1912 the Blue Rider artist Franz Marc wrote: “We are today seeking behind the veil of nature’s outward appearance hidden things which seem to us more important than the discoveries of the Impressionists... Art always has been and is in its very essence the boldest departure from nature and ‘naturalness’. It is the bridge into the spirit world.” No wonder that their works baffled most of their public which was used to the 19th century’s highly realistic depictions of the visible world.
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