DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
Latest editorial
London Stories at Transport Museum
(Left to right) 1st prize, Eliza Southwood, London is the Place for Me; 2nd prize, Anna Steinberg, 3rd prize, Mobb, The Faceless Woman
[London Transport Museum]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
AFTER a one-year hiatus, when the London Transport Museum occupied its gallery with the momentous year-long Poster Girls exhibition, the prestigious Poster Prize for Illustration is back.
Poster Girls celebrated a century of women winning voting rights with a display of posters designed for the Underground by women and it proved to be one of the most successful ever held by the museum.
Similar stories
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
CHRISTIAN KNOBLAUCH is thrilled by the response of children to the presence of artefacts from the British Museum in their classrooms
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist