Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Pinocchio
National Theatre, London
BEAUTIFULLY wrought, and spellbinding in its execution, this Pinocchio reverses expectations.
In this version by Dennis Kelly, Pinocchio is played by a real person and some of the human characters, including Pinocchio’s father Geppetto, are represented by huge-headed puppets, each crafted in the spitting image of the actor who holds them aloft and gives them voice.
It’s a clever trick that allows the audience to focus interchangeably on either the puppet or its human embodiment with no loss of effect or drama.
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play


