MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
Misalliance
Orange Tree, Richmond-upon-Thames
THERE'S spice, stodge and some quite juicy mouthfuls in this revival of George Bernard Shaw's Misalliance but the fusion cooking is no ensemble concoction, despite some cracking performances.
Shaw is never sickly sweet and his play is a discussion, and dissection, of some of the key social issues of his day. There’s class conflict, with the nouveau riche’s one-upmanship over the aristocracy and a treatise on the fickle nature of marriage.
RUTH AYLETT recommends that this mixture of memoir, diary and poetry by a young Gazan writer be read as widely as possible
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
Forward looks to put injury frustration behind her to spearhead WSL campaign


