MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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Soft-focus slant on capitalist corruption
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
WITH its depiction of corporate greed, there was outrage when Turcaret was first staged in 1709, eventually leading to Alain-Rene Lesage’s satire being pulled after only seven performances.
Now adapted by Blake Morrison for Northern Broadsides, and renamed For Love or Money, it’s a much cosier affair.
Relocated from pre-revolutionary France to a small village in Yorkshire in the 1920s, it’s a gently humorous indictment of capitalist corruption which, while it won’t rock the Establishment in the way of the original, has themes that are still relevant.
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SUSAN DARLINGTON swoons in the presence of a magnetic frontman
STEVE JOHNSON relishes a celebration of the commonality of folk music and its links with the struggles of working people the world over
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Reviews of More, Remembering Now, and New Vienna