CHRIS SEARLE recommends a work of love and deep admiration for a great musician
THE TORONTO International Film Festival is mega — over 300 films were screened this year — and among them were debut features and documentaries that caught the eye, among them Workforce from 29-year-old Mexican director David Zonana.
Highlighting the catastrophic consequences of class inequality and the violation of workers’ rights, it tells the story of young construction worker Francesco, who seeks justice when his brother dies in front of him on a luxury-home building site.
His widowed sister-in-law is told she will get no compensation from the accident and the tragedy is the starting point for a fierce and meticulous examination of cycles of economic abuse in what's a heartbreaking and hard-hitting human story.
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
ANDY HEDGECOCK and MARIA DUARTE review The Ceremony, Eddington, The Life of Chuck, and The Thursday Murder Club
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse
JOHN GREEN, ANDY HEDGECOCK and MARIA DUARTE review Holloway, The Last Journey, Red Path and Elio


