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You can't argue with the Home truths of trash-cinema dialectics
No nonsense: Angela Mao Ying in The Tournament

BACK when I was a yoof, me and my mates’ favourite things were reggae music and kung fu films. Girls and football surely had their pleasures but they were fleeting and frequently all too elusive.

A weekend often led from the game to a dance and then to a late-night cinema. The vampire charms of Ingrid Pitt saw me through puberty but, equally, so did the intensity and fierceness of Angela Mao Ying.

Both brought more than pulchritude to my view of femininity. They were independent, direct women who took no nonsense.

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