DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
The Night Before Christmas
Southwark Playhouse
HEARD the one about the loser, the gay and the prostitute in a storeroom? Add an imprisoned elf and there you have Anthony Neilson’s 1995 play, an extended joke running to just over an hour.
Neilson's trio comprises Loser Gary, played with a winning child-like naivety by Douggie McMeekin, who's a divorced trader in dodgy goods and unlikely to be able to see his son over the holiday period. His mate Simon (Michael Salami), a cynically angry gay, is set on vociferously denouncing the plasticity of Christmas, while a foul-mouthed prostitute (Unique Spencer) is out to get a Power Rangers toy for her son whatever the cost.
Don Starkey’s elf, working for an international gift agency out of Hartlepool, is caught breaking into Gary’s lockup and is forced to give away the secrets of Christmas and grant three wishes in order to be released. That in a nutshell is Neilson’s exploration of Christmas through three sets of very jaded eyes.
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
GEOFF BOTTOMS recommends an inspiring, political and bittersweet account of the munitions factory workers who are the fore-runners of the modern women’s game
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


