CHRIS SEARLE recommends a work of love and deep admiration for a great musician
The Unseen
Riverside Studios, London
CRAIG WRIGHT’s deft and thought-provoking script set in an isolation wing for political prisoners shows little evidence of its initial commission as a play about Jesus. Instead, the taut drama is based round the relationship of two contrasting prisoners and their violent yet troubled guard.
In near adjacent cells, Wallace, an articulate analytical doctor and Valdez, a reticent yet impassioned former actor have established a long-standing relationship based only on their verbal exchanges, frequently based around word games.
GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
GEORGE FOGARTY is captivated by a brilliant one-man show depicting life in HMP Strangeways
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
JOHN GREEN, ANDY HEDGECOCK and MARIA DUARTE review Holloway, The Last Journey, Red Path and Elio


