Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Othello
The Royal Shakespeare Theatre, Stratford-upon-Avon
WHEN Peter Hall and John Barton launched the RSC in 1960, they were determined to establish not only a permanent company but one with its own style of acting or Method, based on “the word first and the Method second.” This approach produced some of the greatest theatrical productions of the century.
Sadly time and financial strictures have long since replaced the company’s work with a great variety of Shakespeare productions from visiting directors, with some remarkable results but many failing through aiming for eye-catching novelty.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today


