Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
I gotta get to hurtin’
PAUL STEPHEN ADEY explores how rap can create catharsis for both artists and fans
(L) Earl Sweatshirt performing with the rest of Odd Future in March 2012; (R) Kemba
[Tyresehasabrain/CC; Frank Schulenburg/CC]
ANGUS REID considers the power of the podcast as a vehicle for consensus building in opposition to mainstream media narratives
GLENN FOSBRAEY recommends a biography worth reading for both existing George Michael fans and those yet to be converted
FRANCIS DEVINE introduces a new collection of essays that draws on Pease McKenna’s example to indicate future paths for the movement
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
JAMES WALSH recommends an exceptional documentary about the experience of Western doctors in Gaza
I HEARD a rapper’s verse a while ago that stopped me in my tracks. The artist was Kemba and the song, Daemons, featured on the posthumous album Bad Vibes Forever (2019), by the conflicted and gifted artist XXXTentacion.
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WILL STONE applauds a comprehensive survey of love in its many moods and musical forms