DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Birdy
CHRIS SEARLE takes wing with Leeds-born poet of mixed Sri Lankan and English heritage, Seni Seneviratne
White-cheeked Starlings perching on power cables
[Laitche/CC]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
THE GO-AWAY BIRD: Poems by Seni Seneviratne
Peepal Tree Press, £9.99
MANY poets — and revolutionaries too, from Shelley to Rosenberg to the Palestinian laureate, Mahmoud Darwish — have invoked images of birds as freedom flyers and refugees from the human world on the ground of injustice and stranglehold. But few, like John Clare with his feathery wordplay and simple brilliance, have used their empathy to become the very birds they describe.
The Leeds-born poet of mixed Sri Lankan and English heritage, Seni Seneviratne, does exactly this in her collection The Go-Away Bird.
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