DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Basqueing in it
RITA DI SANTO relishes the mix of traditional and innovative films on offer, and particularly the rich sample of new Latin American work
Janet Novas in The Rye Horn
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STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
IN the beautiful Basque country, the 71st San Sebastian Film Festival maintained its innovative spirit, and audacious political character.
This year the Golden Shell Award went to Spanish director Jaione Camborda for The Rye Horn, a film about solidarity and sisterhood set during the Franco regime.
Maria, a solitary midwife, who lives on an island near Galicia, secretly helps young women terminate their pregnancies, but when one of her patients dies, she must flee to Portugal. The escape drives her out of solitude, as always, when a woman comes forward to help.
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ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
SETH SANDRONSKY recommends a production that looks back at the political Tinseltown in the mid-1970s when US cinema ‘didn’t pander to trends’