DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Just my type
On UK Disability Awareness Day ANGUS REID celebrates the art of KEITH ARMSTRONG, a pioneering activist and writer whose unique body of artwork is a vision of protest and peace
Ward 16 poem, 1972; My Typewriter Is Not Typing Like It Used To, 1977; The Plane Tree, 1999
[Courtesy of Caseroom Press]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
KEITH ARMSTRONG (1950-2017) was a dynamic activist for the rights of people with disabilities. He was also highly creative, working as an artist, poet and musician, and a serious scholar of the history and linguistics of disability.
He contracted polio during infancy. In his teens he could just about walk but at the age of 20 he spent an entire year in hospital, undergoing complex back surgery. He would spend the rest of his life on crutches and, increasingly, in a wheelchair.
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