DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
WHAT makes a film “memorable”? What makes it worth referencing, or remembering, or even watching in the first place? Why, at a moment when world events are often stranger than fiction, would we turn from the glorious escapism of big feature films and opt for something tiny, different, and rooted instead in the real?
The “tiny” films listed here are world-changing films, pivotal movies those who care about film should really get to know.
Alcarras, by female Spanish director, Carla Simon, is a semi-autobiographical, bittersweet tale about belonging, rooted in her native village (Alcarras). With stunning camerawork in deliberately natural colour, it is an elegant film, acted with real power and a strong feeling for its ordinary farmers faced with challenging circumstances that threaten to destroy their world.
New releases from Old Spot, Chris Marksberry, and Clementine Lovell
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity


