DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Films of immediate and political relevance to us here
JOHN GREEN reports from the Leeds Palestinian Film Festival 2022
Amer Hlehel and Ashraf Farah in Mediterranean Fever
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STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
WITH the synchronised media overkill on the Ukraine war, you could be forgiven for thinking there was nowhere else in the world where brutal occupations are taking place. This year’s Leeds Palestinian Film Festival attempts to redress that media deficit.
How many of us today are familiar with the miseries and injustices of life for Palestinians after 55 years of illegal occupation, and how the Israeli occupation impacts on every aspect of daily life?
This year’s Leeds Palestinian Film Festival (November 10 to December 9 2022) shines a light on this barely mentioned occupation. In 10 events, the issue of Palestinian rights is highlighted at diverse venues across Leeds.
The programme includes debut Leeds screenings of four new films, including films by Palestinian, Israeli, British, and South African directors. There is a double bill of Mai Masri’s beautiful, inspiring films, plus discussion with campaigning journalist Victoria Brittain, followed by a Middle Eastern buffet.
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ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity
TOM STONE sings the praises of one of the oldest open-air festivals in Britain