DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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No longer satisfied with playing second fiddle
John Green talks to EMILY INGRAM whose moving documentary charts the remarkable resilience of Doncaster women at the time of the miners’ strike of 1984
WORKING CLASS HEROINES: Few outside of the UK’s former mining towns and villages remember Women Against Pit Closures (WAPC), a radical women’s movement that ensured miners and their families were fed and clothed during the strike of 1984 - 1985
[Heritage Doncaster’s YouTube channel]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
THE national miners’ strike of 1984/85 was probably, apart from the 1924 General Strike, the most traumatic and iconic working-class struggle of the 20th century.
Although a number of films have been made about that strike, the role women played in it has not been given the coverage it deserves.
Women in the past have always been there supporting men in their struggles, for the first time during this strike they set up their own parallel organisation, Women Against Pit Closures (WAPC) and what became known as “the fight for jobs.”
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